This year has been a change for my art about geographic abstraction. 
As I translated emotions about our environment and then shaped them into abstract psychogeographic maps, I felt I needed to work on larger scales.
These maps took shape in large installations like 'Suun Rayy' or sculptures 'Fadded Cuub'.
Because my artistic process delves into the complex undercurrents of intimate and collective interactions, it became natural for me to bring outside and make it more accessible for everyone.