ABSTRACT FLOOR PLAN ON BLACK MOUNTBOARD FLLORMMA SERIES PHILIPPE HALABURDA STUDIO 2020
Integrated circuit
Fllormma 1
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 2
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 3
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 4
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 5
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 6
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 7
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Fllormma 8
Color tape and color paper behind a black laser-cut paperboard 38 x 50 cm - 15"x 20", New York, NY, 2020
Integrated circuit
Fllormma series on paper, New York, NY, 2020
I see my artworks sometimes as a floor plan. Here is why: it's a drawing to scale, showing a view from over, of the links between rooms or spaces and other physical characteristics at one level of a structure. The process is the same when I do psychogeographic maps. They are like closed circuits except the orientation of the view is downward from above.
Color tape and laser-cut on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 2", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 3", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 4", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 5", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 6", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 7", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
"Fllormma 8", tape on black mounting board 38 x 50 cm - 15"x 20", New York, NY, 2020
About the theme of "spatial relationship in geography"
Abstract shapes created with collages and tapes represent the intricate relationships between spaces and physical characteristics within a structure
akin to a floor plan.
Through the arrangement of materials, I aim to capture the spatial dynamics
and connections between different areas, emphasizing the interplay
between rooms, corridors, and other architectural elements.
By layering textures, colors, and patterns, I seek to evoke a sense of movement and flow within a space, inviting viewers to explore the hidden connections
and pathways that define the structure.
In my artistic process, I draw inspiration from psychogeographic maps,
which offers a unique perspective on the urban landscape from above.
By incorporating various materials and techniques, I strive to translate
the essence of psychogeography into abstract shapes and forms, capturing
the complex interplay between physical spaces and human experiences.
By manipulating collages and tapes, I aim to visualize the intricate networks and pathways that shape our understanding of urban environments. I invite viewers to contemplate the hidden layers of meaning embedded within
the cityscape.
By exploring abstract shapes and textures, I seek to challenge conventional perceptions of space and architecture, offering viewers a glimpse into
the interconnectedness of built environments and human experiences.
By embracing the fluidity and complexity of spatial relationships, I aim to foster a deeper appreciation for how our surroundings shape our perceptions and interactions.
I hope to inspire contemplation and reflection on the dynamic interplay between physical spaces and the individuals who inhabit them.