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Philippe Halaburda
Abstract Artist · Born 1972 · Based in Newburgh, NY

Biography

Origins & Training

Philippe Halaburda is a French-born abstract artist based in Newburgh, NY.

 

His work explores the emotional resonance of place through a visual language that blends psychogeography, memory, and geometry.

 

Trained initially at EDTA SORNAS in Paris, his practice evolved beyond traditional graphic design into a conceptual, self-taught exploration of visual mapping.

 

Inspired by Bauhaus and Constructivist traditions, his paintings, installations, and works on paper reinterpret urban and psychological landscapes through spontaneous yet structured forms.

Practice & Visual Language

Halaburda's visual language incorporates acrylic paint, color tape, yarn, and found materials, evoking both rational architecture and expressive emotion.

 

With roots in graphic design and European modernist traditions, he creates layered compositions that transform internal experiences into abstract cartographies: systems of codes, grids, symbols, and textures.

 

The result is a body of work that sits at the intersection of order and chaos, intuition and data, inviting viewers to navigate invisible terrains of feeling and space.

Relocation & New York Practice

Since relocating to the United States in 2016, first to Brooklyn, then to Newburgh, NY, his process has increasingly drawn from city rhythms, walking, and the emotional dynamics of displacement and adaptation.

 

His ongoing body of work, Adaptive Fragmentation, maps collective emotional states through series that each explore a distinct psychological or social territory: tension, desire, memory, instability, nostalgia.

Exhibitions & Institutions

Halaburda's work has been exhibited across the United States and Europe, including solo exhibitions in Paris, New York, and Santa Fe, and at venues including The LionHeart Gallery, Artmora Gallery, and the Peyton Wright Gallery.

 

Since 2018, he has participated in numerous group exhibitions and public art programs, building collaborative relationships with curators and institutions on both continents.

 

In recent years, his practice has expanded into immersive installations that explore emotional topographies in three dimensions, which have been featured at Hudson Valley MOCA, Garner Arts Center, and the Terrain Biennial in Newburgh.

Approach

Whether working on canvas, paper, or in space, Halaburda's practice seeks to make the invisible visible, to chart the hidden emotional maps that define how we experience the world around us.

SEE ABSTRACT PAINTINGS ON CANVAS

SEE ABSTRACT PAINTINGS ON PAPER 

READ THE ARTIST STATEMENT

VIEW THE ARTIST RESUME ⇢

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